Tis a great feeling when your agent calls and says that
you, yes you, have been selected to meet with someone regarding a job.
It was with such delight and urgency that I received a
call about five years ago for a musical going to the Edinburgh Fringe. An audition for a musical about mental illness. I had it in the bag surely. Whilst training, a director told me he was sure
I’d been a schizophrenic in a previous life so convincing was my portrayal on
stage.
Like buses I went for a few weeks without one casting and
then a string of mentally unstable characters in theatre and TV came along…I’ve
had to surrender to the possibility of ever playing pretty. Recently I waltzed up to an audition beaming
as I was called for the pretty flirty wee thing…on arrival I was quickly
corrected. “NO. Today you’ll be auditioning for Ellen…older,
plainer, bitter.”
Anyway back to mental illness. The real life subject not
to be laughed at but could this musical really be serious? I hadn’t seen a
script so had visions of choruses of “I’m mad, you’re mad, we’re all mad
together” running through my head.
I was quite inexperienced in the art of auditioning at
the time. But even now I have to fight
the demons of insecurity when you hear the person before you doing their
thing. The brief…the old familiar
chestnut. Prepare one piece two minutes
long and a song of your choice. Simple.
I entered a room and was greeted by a young couple behind
a table in front of the brightest light.
It was like the sun had landed on the pavement outside and was shining
straight at me. Almost hidden from sight
was a pianist. As a trio they were not
ogres, terrifying and grizzly. They were
in fact quite pleasant. So I don’t know
what happened on passing through that door into the room of light but
henceforth that following 15 minutes would go down in history as my worst
audition.
Now perhaps I should not be so bold to profess this
yet. I am not yet dead, who knows what
lies ahead but I pray I have learnt a lot from this experience.
I started my monologue, one I’d performed a fair few
times before…and approximately 30 seconds in I completely forgot what I was
doing, where I was, who I was. Now this
perhaps could have been seen as perfect for such a musical as this. But no!
The idea is to cast an actor who could play mental illness not someone
suffering from a condition. It was
awful. I stuttered, then staggered my
way through the piece, my brain trying to grab any semblance of control. I found it, but was shaken. My audience looked shocked…and not with
pleasant surprise.
Next, the song.
Surely something could be regained.
Surely. Something. And so the pianist started. And off I set too. A dainty little ditty from my home
country…except the old brain had started to engage with what had just
happened.
And so I started to go slightly red at the cheek. Singing my Irish ditty I started to focus on
trying not to blush, which we all know works so well, and continued to get redder
and redder and redder. By this stage my
audience have signed me over to be committed.
Song ended. Brief chat. And I ran out of that room. Straight on the tube. Back to my house and burst into uncontrollable
tears. After finishing four years of
training, performing professionally and countless times as a kid, I couldn’t
even stand in front of 3 nice people. I
could, I can, I will. It just would seem
sometimes our best days are not every day.
Sometimes madness catches you unawares and sometimes perhaps your finest
performances are in real life.
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